Entry 119 – Unboxing Day – Part 3

Choosing a Direction: Why Our Studios Become What They Become

I’m not certain of the exact release date, but the Klark Teknik EQP-KT seemed to appear sometime around 2017. I remember seeing them and immediately wanting a pair. The problem wasn’t interest—it was uncertainty. Reviews were all over the place. One person would dismiss them outright, while another would rent vintage Pultec EQs and do a detailed side-by-side comparison.

Once I heard one of those comparisons, I was sold.

To my ears, they sounded good. More importantly, they were affordable. And honestly, that was all I was asking for.

That moment tied into a larger theme that ran throughout my entire studio redesign: choosing equipment I genuinely like, can afford, and will actually use. I don’t own a Prophet Rev2. I don’t have a Montage M. But I like every single piece of gear in my studio—and that matters far more to me than chasing a specific tier or brand name.

The Forks in the Road

Every studio redesign comes with alternate timelines.

Sometimes I think about how easily my studio could have gone in a completely different direction. Instead of a room filled with many instruments, racks, and shelves, I could have gone minimal: one keyboard stand, three or four high-end polysynths—an Arturia PolyBrute 12, a Prophet Rev2, maybe one or two others—and called it a day.

There is absolutely nothing wrong with that approach. In fact, for many people, that’s the ideal studio.

But that’s not the route I took.

Instead, I ended up with a synth wall that feels just right for me. It gives me variety, flexibility, and inspiration without feeling excessive—at least in my own context. The question I started asking myself while editing this series wasn’t whether my studio was “right,” but why I chose this direction over the other.

What Shapes a Studio’s Identity?

When you really think about it, there are countless factors that influence the direction a studio takes:

  • Artists you admire or try to emulate
  • The types of sounds you’re drawn to
  • The look and atmosphere you want the room to have
  • Budget realities and timing
  • Practical workflow needs
  • Even the impression a certain piece of gear gives when someone sees it

None of these are wrong reasons. And most of the time, it isn’t just one—it’s a blend of many.

For me, the direction my studio took was shaped by affordability, curiosity, and a desire to explore broadly rather than commit narrowly. That may change someday. Studios evolve. Tastes shift. Needs grow or contract.

A Question Worth Sitting With

So here’s the thought I’ll leave you with.

As you’re tidying up your creative space for the evening—or sketching ideas for your next studio build—ask yourself:

What influenced the direction my studio took?
And just as importantly, am I happy with where it landed?

There’s no correct answer. The fact that there are so many valid paths is part of what makes this whole process—this whole hobby—so rewarding.

Happy creating.

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